Three Sisters
This triptych presents three vertically aligned surfaces organized around differing states of incision and preservation. The outer panels contain stitched cuts whose dark interiors remain visibly marked by intervention, while the central panel retains an uninterrupted opening, narrow and luminous, untouched by surgical closure.
Within the context of Švalje (The Seamstresses), the work introduces a protective relational structure. The two altered surfaces appear to flank and guard the central form, producing the impression that damage has been absorbed collectively in order to preserve one body from repetition.
The triptych format further invokes the visual authority of religious painting, transforming the three figures into a restrained devotional arrangement. Yet the sacred element here is not transcendence, but protection against violation.
The untouched surface does not signify purity.
It signifies survival made possible by others.






















